Directed by Pang Ho-Cheung
Vulgar comedy, 90′
Ho-Cheung Pang‘s ‘Vulgaria’ (2012), which had its European Premiere during a packed midnight screening at the 14th Udine Far East Film Festival, stars Chapman To as fictional film producer Wai-Cheung To. From his blunt and coarse comparison of the role of a film producer to the function of pubic hair, to his phenomenal story of self-sacrifice in an attempt to secure funding for his hit film ‘Confessions of Two Concubines’, To conceals nothing and often drifts into crude, offensive detail regarding his streak of misfortunes.
Throughout, ‘Vulgaria’ is ridiculous, rude, and, well – vulgar. Although most references and jokes are transferable to western audiences, it’s the Hong Kong-specific humour that make Vulgaria particularly vulgar and politically incorrect. The Guangdong dialect and slang, the peculiar repugnant dishes – most of which being from the real Cantonese cuisine – and other geographical and cultural particularities, as well as the absurd linguistic misunderstandings, add a spicy flare to this localised production and contribute towards its insolent humour and politically incorrect audaciousness.
Among popping candy fellatio, sexual harassment suits, extravagant cow-genitalia dishes and human-mule copulation insinuations, To has to undergo a variety of extreme challenges to produce the erotic film tribute of ‘Confessions of Two Concubines’. With this ode to contemporary Hong Kong cinema, Pang exposes the film industry in a very frank, naked, utterly realistic fashion. ‘Vulgaria’ is brimming with popular culture references and ridicule – from Shaw Yun Yun’s role in the aforementioned film to Hiro Hayama and poking fun at Christopher Sun‘s Category 3 film ‘3D Sex and Zen: Extreme Ecstasy’ (2011).
This industry commentary makes for a life-like production, light years away from the romantic, sugar-coated comedy of Pang’s commercial efforts ‘Love in a Puff’ (2010) and ‘Love in the Buff’ (2012). Instead, ‘Vulgaria’ is spectacularly frantic, fearless and frivolously raw, and an utterly sincere and uncooked production which will probably never see a release in the mainland. ‘Vulgaria’ is a cheap, frank and spontaneous extravaganza of brutality and crudeness – a quality production providing a solid level of improper humour, designed to trouble audiences with its discomforting nature and ultimately force them to abandon their conscious constraints.
Previously published on www.cine-vue.com.
Review by Antoniya Petkova